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BEEHOLD: An Animated Project Created by Alumnx Paula Allen (’16) and Kids!

February 26, 2020/in Documentary, Fiction, Interviews /by Aja Zoecklein

VCFA MFA in Film alumnx Paula Allen (‘16) recently completed a new animated short film, BEEHOLD. BEEHOLD tells the story of what the future will be like for bees and was created with over 200 children’s drawings and animations. Children who participated in the project  hailed from Florida, New York, and Pennsylvania. Paula enlisted Bradley Turner (’17), an alumnx from VCFA’s Music Composition Program, to compose and score the film to exciting results. 

Check out the trailer, as well as a fun interview we recently had with Paula and Bradley about the film and their collaboration, below:

Tell us a little bit more about how this idea came to fruition and your collaboration with your students?

Paula Allen: Most of the drawings for the film came from elementary-aged children (kindergarten, grade 1, and grade 5), with a few students in high school creating a few drawings. In terms of the animation piece, my online students, who are middle school-aged helped with the broad themes/ideas, scenes, animation, backgrounds, and more. BEEHOLD  has been a real “kid created” film, I was just a guide for them really.

What is the final running length of BEEHOLD the film?

PA: The film is 8 minutes long. I wanted to keep it to 5 minutes, but there was just so much art and so much going on, I didn’t want to cut too much! 

For the score you brought in another VCFA alumnx, Bradley Turner from the Music Composition Program. Tell us a little more about that collaboration. 

PA: Bradley understood the project right from the start. Even before the story was completely fleshed out, I knew he was going to give us what we needed and I trusted his choices. Scenes were enhanced and overall more successful because of the sounds and music composition, even just small choices, like waiting a few beats to emphasize on a certain movement, made a big difference. In one scene, for example, we have an army of pesticide bottles that are marching–Bradley did an amazing job emphasizing that movement with sound.

Bradley, can you talk about your collaboration with Paula? Did she give you an initial sense of what she was looking for in terms of the music, or did you jump right in with your own ideas?  

Bradley Turner: When I saw Paula’s call for a composer, the description of the film and what she needed musically sounded similar to Don DiNicola’s animated short film SPACE GERM for which I did the music and sound design last year. I sent her a link to SPACE GERM and also told her about a couple of other VCFA alumnx with whom I had worked (Justin Scotarczyk and Martin Castaneda). Paula sent me a rough storyboard/outline she had created that gave me a broad sense of the story with a few mentions of where there would need to be musical cues. This gave me a good idea of what I would be creating long before the film had been animated.

The film has no narration. What elements helped you determine the direction(s) you would take with music and sound?

BT: Paula’s storyboard as well as the use of text in the film helped provide narrative direction. The overall idea of a bee moving from a peaceful sanctuary in nature to a dystopian future and eventually finding some form of that safety again, felt full of musical possibility.

Bradley, you’ve worked with a few students and alumnx from the MFA in Film now. Does anything about your shared VCFA experiences lend itself to successful collaboration? 

BT:  Everything about my experience at VCFA set me up to be an effective collaborator. The constant flow of ideas between students and faculty had an enormous impact on how I work. My study every semester was ultimately a collaboration between me and my faculty advisor, as well as the various faculty members I’d consult with along the way. That experience allowed me to not only be comfortable getting and giving feedback, but to rely on that give and take in my creative process. 

PA: Bradley and I are working together on my next animated film which will be about sea turtles and plastic pollution in the oceans. We just “get” each other, and I am lucky to have him on board!

Instilling a love of art, activism, and meaning-making in young people is so important. What are you most proud of in terms of this project and the awareness it brings to important environmental issues?  

PA: Well, first, children by the hundreds went home and taught parents not to buy Neonic poison flowers at stores, they asked parents to plant more native plants in the yard, and they asked neighbors not to spray their lawns. I had a parent take $100 worth of plants back to the store because they were labeled as treated with Neonic chemicals, so that is something!

BT: The film’s environmental message immediately made me want to be involved. Furthermore, the fact that this project was animated by school children added so many layers of purpose to the film. As a composer, I feel like a large portion of what I do is rather self-serving. I spend days creating things, unsolicited, simply because I feel they’re important. Getting to work on a film that has undeniable purpose is such a lovely opportunity. 

PA: BEEHOLD started as an idea that flourished far beyond what I ever expected. I am extremely proud of everyone who did a drawing, who painted a flower, who animated a scene, and who even just chose to not pull a weed (dandelions are good for bees afterall!). BEEHOLD’s message is told atypically, we go forward in time, we see how much damage can be done, we heal the problems. That is the biggest message: To not destroy nature, to protect it, to keep it safe–all of it, not just the bees.

So great, thanks for taking the time!  BEEHOLD premiered in December 2019 and has been screened at various schools. The film has also recently been submitted to several film festivals, so more news on that front soon. Additional press on the film can be found here.

You can find out more about Paula at www.pollyzoom.com. To learn more about Bradley and his work pop on over to his website.best shoes | Jordan Ανδρικά • Summer SALE έως -50%

https://storyboard.vcfa.edu/wp-content/uploads/2020/02/BEEHOLD-banner-pic.jpg 718 1584 Aja Zoecklein https://storyboard.vcfa.edu/wp-content/uploads/2018/01/VCFA_logo_nbkgd-300x167.png Aja Zoecklein2020-02-26 16:55:422020-02-26 16:56:19BEEHOLD: An Animated Project Created by Alumnx Paula Allen ('16) and Kids!

Filmwax Radio Interview Series: VCFA Alumnx Jason Rosenfield

June 27, 2019/in Documentary, Fiction, Interviews /by Aja Zoecklein

VCFA is proud to be partnering with Filmwax Radio for a special series of interviews featuring VCFA alumni. The third installment of the series is with editor Jason Rosenfield ACE (’18) whose projects include, among many, the documentaries LOST FOR LIFE (2013), SWIFT CURRENT (2016), and BREAKING POINT: THE WAR FOR DEMOCRACY IN UKRAINE (2017), as well as the Amazon docuseries LORENA (2019). In the interview Jason also discusses his VCFA thesis project, Everything Matters, a memoir about editing and his journey over the decades in the profession. [Jason’s rich and captivating memoir will–without a doubt!–be published sometime in the near future with broad appeal for filmmakers and general readers alike. Stay tuned for more news on that front!]

Be sure to have a listen–enjoy!

The podcast is also available on iTunes, Stitcher, Spotify, Google Play & Youtube.

 

 

You are writing the final draft, in essence. It all happens in the editing room… It is a huge responsibility and you have to honor that responsibility.
-Jason Rosenfield, on editing

What I am talking about is making an experiential film, as opposed to an informational film. The goal is to have the audience go on a journey with the characters… not relaying information, but reliving an experience… I learned how to speak body language, and if I knew how to speak it, I knew how to read it…
-Jason Rosenfield, on character driven documentaries

 

http://media.blubrry.com/filmwaxradio/s3.amazonaws.com/Podcast_Episodes/561-filmwaxradio.mp3

 

Jason Rosenfield, ACE, is a three-time Emmy Award-winning film editor recognized for his storytelling and stylistic skills in character-driven long-form documentaries, feature films, and television series. Jason’s narrative credits range from Robert Altman’s classic COME BACK TO THE 5 & DIME JIMMY DEAN, JIMMY DEAN to the improvisational television comedy FREE RIDE.  His documentary credits include the Oscar-nominated BLUES HIGHWAY, HBO’s Emmy-winning Memphis PD and Teen Killers, Dick Wolf’s groundbreaking NBC series Law & Order: Crime & Punishment and CNN’s The Seventies.  He has collaborated with three-time Oscar-winner Mark Jonathan Harris on Netflix’s award-winning LOST FOR LIFE and SWIFT CURRENT, both directed by Joshua Rofe, and Harris’s own BREAKING POINT: THE WAR FOR DEMOCRACY IN UKRAINE. Additional production awards have included an RF Kennedy Award, DGA Award and Peabody Award, as well as three Emmy Awards and multiple nominations.

In 2001, Jason was elected to membership in American Cinema Editors [ACE], an honorary society of distinguished editors.  He has served as Associate Director of the ACE Board and three terms as Governor of the Television Academy, where he has developed and produced a number of symposiums and ongoing panel series. A Professor at USC’s School of Cinematic Arts Masters Program as well as Columbia College – Hollywood, Jason is a Mentor at the Stowe (Vt.) Story Labs Screenwriting Workshop and serves as story and editorial consultant for independent films.Adidas footwear | 『アディダス』に分類された記事一覧

https://storyboard.vcfa.edu/wp-content/uploads/2019/06/jason-rosenfield-filmwax.jpg 577 577 Aja Zoecklein https://storyboard.vcfa.edu/wp-content/uploads/2018/01/VCFA_logo_nbkgd-300x167.png Aja Zoecklein2019-06-27 18:15:052019-06-27 18:21:06Filmwax Radio Interview Series: VCFA Alumnx Jason Rosenfield

Film faculty Till Schauder receives competitive 2019 Seoul Film Commission grant!

June 18, 2019/in Fiction, News, Script /by Aja Zoecklein

VCFA film faculty Till Schauder recently received a competitive Seoul Screenplay Development grant from the Seoul Film Commission for his feature script ALMOST 14. The project, a film mostly set in Korea, will be on a nice trajectory for production with the help of this exciting grant award.

More about the Seoul Screenplay Development Support program:

The Seoul Screenplay Development Support program is not intended to provide support to Korean films. The goal of the program is to support the development of “overseas” projects that are set in Seoul but target foreign markets. 

This year, due to the increase in the number of submissions as well as in the variety of countries from which the applicants hail, a great deal of time and impassioned discussions went into the judges making their final selections. The utmost importance was placed on projects that would be difficult to produce if they were not filmed in Korea, and projects that were deemed to be able to enhance the image of Seoul were preferentially chosen with due consideration of their quality. 

Congrats Till! We look forward to seeing ALMOST 14 come to life!

 

Till Schauder is a Brooklyn-based writer, director, and cinematographer. His films have premiered at major film festivals around the world including Tribeca, Berlin, and Tokyo, and are funded through grants, partnerships and co-productions with organizations like the Sundance Documentary Institute, Fork Films, The Catapult Film Fund, The Jerome Foundation, NYSCA, Film und Medienstiftung NRW, FFA/German Federal Film Board, ITVS, ARD, ZDF, ARTE and many others. His films include: SANTA SMOKES,  THE IRAN JOB, WHEN GOD SLEEPS, WARRIORS OF FAITH (GLAUBENSKRIEGER), and REGGAE BOYZ. In addition to teaching at VCFA, Schauder teaches film at NYU’s School of Continuing and Professional Studies and is a frequent guest speaker at other film schools.Sports brands | Nike Air Force 1 , Sneakers , Ietp STORE

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Alumnx Spotlight: Martin Castañeda (’16)

June 6, 2019/in Fiction, News /by Aja Zoecklein

VCFA’s MFA in Film alumnx Martín Castañeda has recently been hired as a full-time visiting professor at New Mexico Highlands University  in the Media Arts Department starting August 2019. Castañeda has been teaching as adjunct faculty in film at the Central New Mexico Community College (CNM) for the past 2 years. In addition to his teaching, Castañeda has been working on commercials and several smaller productions as Assistant Production Coordinator.

In 2018, Castañeda directed the short BAD SITUATION (written by Leon Gaitanis), with a crew entirely composed of CNM students. BAD SITUATION has seen some fantastic festival action this year, including: official selection in 5 festivals in NM, Canada, LA, and TN (so far!); nominations for Best Actor, Screenwriting ,and Original Idea; the “Platinum Award: Best New Mexico Short” at Mindfield Film Festival in NM; Semi-Finalist at Los Angeles CineFest; and winner in its category at New Mexico Filmmakers Showcase 2019.

We caught-up with Martín and asked him a few questions about the project:

The synopsis of BAD SITUATION reads, “a final discussion with death.” Can you share a bit more about the tone and tenor of the film? 

The film is about Jack, a self recluse in the middle of nowhere that receives an unexpected visitor. Jack knows who this is: death finally coming for him. He’s been expecting it, but what he doesn’t know is death first wants to go over some uncomfortable loose ends about his past before deciding his fate.

Your crew was comprised of CNM students, were there any unforeseen challenges that you noted when working on this project with them? Do you find you have to work harder as a director when you have a greener crew?

I had to constantly remind myself that it was a film executed by students in their first term of school, and as such, I couldn’t just jump in and intervene to get what I had in mind. I had to really let go and let them do everything. This is something I learned at VCFA in my third semester when I worked on ABOUT BARBARA, a film developed mostly by the actors during a month long laboratory. On BAD SITUATION, I had a couple of students coming from working in theater, so their previous skills really shined through in the film’s set dressing and wardrobe.

I actually never expected much life beyond the classroom environment for BAD SITUATION. It was Scot, one of the actors, that asked if he could send it to festivals, and the result really surprised me! It’s ironic, I would make an expensive film and no one seemed interested, but this one, made with zero budget (besides school equipment and facilities of course), was picked up by everyone around here.

What elements of filmmaking do you most enjoy teaching and why?

Teaching is a passion I discovered while chasing my first passion: filmmaking. What I enjoy the most is the second half of the term when the students have gone through learning the technical and technological elements and it’s time for them to apply it all to their creativity. That’s when I become less of a professor and more of a supervisor and advisor.


To see more of Martín’s work, find him on vimeo!

Martín Castañeda is US-Peru dual citizen filmmaker. He’s worked in advertisement, teaching, as in-house videographer for institutions and writing, acting, directing and editing films. He received his MFA in Film degree in April 2016.

His feature length screenplay WRITTEN BY VICTORS won a Royal Reel 2016 Award at the Canada International Film Festival and was officially selected at the Berlin Film Fest International 2016. His short film BOX won Best Experimental Film at the 2015 Oregon International Film Awards, and his latest short JOAN IN OWL LAND was officially selected at the Vermont International Film Festival 2016 and ITVfest 2016.

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https://storyboard.vcfa.edu/wp-content/uploads/2019/06/martin.jpg 960 960 Aja Zoecklein https://storyboard.vcfa.edu/wp-content/uploads/2018/01/VCFA_logo_nbkgd-300x167.png Aja Zoecklein2019-06-06 16:42:502019-06-06 17:03:04Alumnx Spotlight: Martin Castañeda ('16)

Filmwax Radio Interview Series: VCFA Alumnx Amy Hesketh

May 31, 2019/in Interviews /by Aja Zoecklein

 

VCFA is proud to be partnering with Filmwax Radio for a special series of interviews featuring VCFA alumni. The second installment of the series is with the brilliant and prolific Amy Hesketh (’18) whose aesthetic is quirky and smart–sometimes dark, sometimes funny, but always beautiful. In the interview Amy discusses her films, PYGMALION, OLALLA,  and BEARDBATH, among others. Amy and Adam cover a range of other topics including: Bolivian cinema, rural living, pushing boundaries, the value of long walks, and the collaborative nature found in Montpelier VT! Be sure to have a listen–enjoy!

The podcast is also available on iTunes, Stitcher, Spotify, Google Play & Youtube.

 

I make a lot of films about what I am experiencing in life. Some of my darker films were written and made in a time when I needed to translate the negative experiences in my life… I don’t know what writer’s block is! I just need to wash my hair, or sleep, and then I have an idea.

-Amy Hesketh on making films and where she gets her inspiration

http://media.blubrry.com/filmwaxradio/s3.amazonaws.com/Podcast_Episodes/557-filmwaxradio.mp3

 

Filmmaker Amy Hesketh has made 6 feature films and numerous shorts to date, including her most recent, PYGMALION, which is due out soon. In addition to being a graduate of the VCFA MFA in Film Program, Amy is also an adjunct professor of film at Olympic College in Washington State and one of the filmmakers at Pachamama Films.Sport media | Air Jordan 1 Retro High OG Retro High OG Hyper Royal 555088-402 , Fitforhealth

https://storyboard.vcfa.edu/wp-content/uploads/2019/05/amy-hesketh-filmwax.jpg 393 393 Aja Zoecklein https://storyboard.vcfa.edu/wp-content/uploads/2018/01/VCFA_logo_nbkgd-300x167.png Aja Zoecklein2019-05-31 20:31:502019-05-31 20:31:50Filmwax Radio Interview Series: VCFA Alumnx Amy Hesketh

Student Spotlight: Frances de Larminat’s short film, ANNABELLE, to screen at Revelations Film Festival in Australia

May 31, 2019/in Fiction, News /by Aja Zoecklein

Current VCFA MFA in Film student Frances de Larminat’s experimental short film, ANNABELLE, will be screening at Revelations Film Festival in Australia this July!

Through a rupturing of visual images and stammering of text, sound, and language, Annabelle is invited to escape a world of male dependence in search of liberty and self-reliance.

Revelations Film Festival has been dubbed “Australia’s leading festival of indie cinema” by The West Australian and “A true champion of independent cinema” by Filmink.

Super cool–congrats Frances!

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Filmwax Radio Interview Series: VCFA Alumnx George Nicholas

May 20, 2019/in Interviews /by Aja Zoecklein

 

VCFA is proud to be partnering with Filmwax Radio for a special series of interviews featuring VCFA alumni. The first installment of the series is with the delightfully affable George Nicholas (’18) who discusses his two most recent short films,  ANTIGONE and SMOKE N SUDS, which both made the festival rounds last year. In the interview George and Adam cover a range of topics including: Orson Wells, DIY animation, grief unfolding, Hell’s Kitchen in the 80’s, the genius of Michel Negroponte, Moby’s secrets, and more! Be sure to have a listen–enjoy!

The podcast is also available on iTunes, Stitcher, Spotify, Google Play & Youtube.

 

The animated film might as well be a documentary… Like a one punchline joke–it’s my favorite anecdote about living in New York [City]. I was there at a very special time, and of course when you are somewhere at a very special time you don’t realize it is a special time. I’m a huge fan of animation…I’ve taught animation and I know how hard it is to animate. So, like an idiot, I thought, how hard can this be?

-George Nicholas on creating his animated short SMOKE N SUDS at VCFA

 

http://media.blubrry.com/filmwaxradio/s3.amazonaws.com/Podcast_Episodes/553-filmwaxradio.mp3

 

George Nicholas is an award-winning New York-based filmmaker and director of photography. Nicholas holds a BFA in Film Production from the State University of New York at Purchase, and an MFA in Film from VCFA. His most recent films include shorts, ANTIGONE and SMOKE N SUDS, as well as the feature film, 7 SPLINTERS IN TIME, which he worked as DoP and Producer. He is currently an Assistant Professor of Radio, Television, Film at Hofstra University in Hempstead, New York.Best Authentic Sneakers | nike air force 1 shadow , eBay

https://storyboard.vcfa.edu/wp-content/uploads/2019/05/george-nicholas-cropped.jpg 645 749 Aja Zoecklein https://storyboard.vcfa.edu/wp-content/uploads/2018/01/VCFA_logo_nbkgd-300x167.png Aja Zoecklein2019-05-20 17:16:312019-05-31 20:32:20Filmwax Radio Interview Series: VCFA Alumnx George Nicholas

Ian Cheney’s (’18) films, THIRTEEN WAYS and PICTURE CHARACTER, premiere

March 22, 2019/in Documentary, News /by Aja Zoecklein

 

Alumnus Ian Cheney’s (’18) thesis documentary, THIRTEEN WAYS, will screen at the DC Environmental Film Festival on Thursday, Mar 21, 2019.

A series of scientists (and, for good measure, a few nonscientists) travel to a plot of Maine land they have never seen before. One-by-one, through all four seasons, they walk the land and describe what they see. What unfolds is an unusual meditation upon the human relationship to the natural world and the power of different ways of seeing.



PICTURE CHARACTER, directed by Cheney and Martha Shane, will premiere at the Tribeca Film Festival in NYC on Sunday, April 28, 2019.

Emojis (Japanese for “picture character”) have emerged as a way for billions to communicate. Their widespread use and ability to convey complex and subtle feelings could mean the world is on the cusp of discovering a new language. Directors Martha Shane and Ian Cheney take us deep into the world of picture characters, from the private non-profit international consortium that standardized emoji offerings and decides on the introduction of new ones, to the campaigns for new emojis such as those depicting menstruation and Argentinian mate, and to the very beginnings of emojis in Japan. 

Picture Character follows the path of smiling poops and heart-eyed faces, tackles the development of skin tones, and tracks the evolution of the global digital language. Like a good use of a chin scratching emoji, the documentary is both thought-provoking and fun, and it will insure that viewers never look at another emoji, or think of language itself, the same way again.  (Sudeep Sharma)

Be sure to check out the full lineup of 2019 Tribeca Festival films.

We expect to see both of these films have a busy festival year–stay tuned!Adidas footwear | Air Jordan

https://storyboard.vcfa.edu/wp-content/uploads/2019/03/thirteen-ways.jpg 800 1200 Aja Zoecklein https://storyboard.vcfa.edu/wp-content/uploads/2018/01/VCFA_logo_nbkgd-300x167.png Aja Zoecklein2019-03-22 00:01:512019-03-22 00:05:08Ian Cheney's ('18) films, THIRTEEN WAYS and PICTURE CHARACTER, premiere

Festival Roundup: Alumnus John Bruner’s (’17) thesis short, GROUNDED

March 14, 2019/in Fiction, News /by Aja Zoecklein

Alumnus John Bruner‘s (’17) thesis film GROUNDED has had tremendous festival success this past year screening at: Woods Hole Film Festival, Maryland International Film Festival, Austin Indie Fest, Canada Shorts, Short and Sweet Film Festival, Great Lakes Shorts Festival, Independent Shorts Awards, as well as at the UFVA (University Film and Video Association) Conference.

GROUNDED will next be screened this April (2019) at the Ft. Myers Beach International Film Festival.

 

James is a pilot trying to move into management. He might miss his big chance because he has to take his aging and very proper mother home after her extended visit. As James struggles to get back on course, his mother runs out of time to reveal a secret that could be what finally slows James down.

​The film is semi-autobiographical, recounting road trips the director took with his own mother more than a decade ago. It’s a story about some universal truths: how we sometimes put careers in front of people, how fears can block our enjoyment of life, and how we all crave a closeness within our families that’s sometimes hard to achieve.

 

 

 

 


More about John: John Bruner teaches film and media production at Taylor University. John has worked in film and broadcast/corporate television as an executive producer, director, writer, camera operator, editor and engineer. He envisioned and co-founded Taylor’s Los Angeles semester, preparing students to work in the entertainment industry. His career has taken him as far as Russia and Australia, from documentary and narrative filmmaking to television coverage of live concerts, political events, and sports.

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Alumni Spotlight: Angelique Webster’s (’18) short doc RESPECT AND LOVE

February 22, 2019/in Documentary, Interviews, News /by Aja Zoecklein

Angelique Webster’s thesis short doc RESPECT AND LOVE is on fire! In addition to past screenings we highlighted last fall, here is a round up of upcoming film festival showings, with no doubt more on the way! (Keep on eye out on RESPECT AND LOVE’s official facebook page to keep apprised of all of the details.)

March 2019 Events:

Women in Media Film Festival– Newark, New Jersey

Rapid Lion Film Festival– Johannesburg, South Africa

POW ( Portland Oregon Women’s) Film Festival– Portland, Oregon

Universe Multicultural Film Festival -Rancho Palos Verdes, CA

2019 New England Graduate Media Symposium– Boston, MA

April 2019 (and beyond) Events:

American Doc Film Festival–  April 2019 Palm Springs, CA

Langston Hughes Film Festival– April 2019 Seattle Washington

Creatively Speaking Double Exposure Film Series– Maysles Documentary Center June 2019  Harlem, NY


It has been said that Gloria was the first African-American woman to sue the Catholic Church. RESPECT AND LOVE is a short experimental documentary, in which the filmmaker sits down with her mother 30 years later to gain insight on how those experiences have shaped her mother’s life.

 

https://storyboard.vcfa.edu/wp-content/uploads/2019/02/RL-Clip-3-1.mp4

 

We recently caught up with Angelique and asked her a few questions, here is what she had to say:

RESPECT AND LOVE is a deeply personal story for you and your family, in what ways did the concept change or evolve from the start of the project through its completion?

I think the major change to my film was adding my voice. My plan was to use my mother’s interview to tell the story. As I was going through the footage I realize that strong transitions were missing. Along with the need for smooth transitions, I decided to juxtapose my thoughts along side of my mother’s. The two storylines made the film fuller and much more three dimensional.

What is the most valuable piece of advise, feedback, or inspiration you received here at VCFA as an MFA in Film student?

The most valuable feedback I received while at VCFA was to go out on a limb and try something different. I never imagined that I would write a script, but I did. I was nervous and not very confident… but had really great support and feedback. It actually felt good to write. With the next film I am working on, I have started with writing. The writing allows me to see themes and ideas that may be useful with making a stronger piece.

Where do you see yourself and your work in the next 3 years?

In the next 3 years I see myself teaching, making films, and creating a community space for inter-generational filmmaking projects.


Angelique Webster is a filmmaker and educator. She  is a graduate from Lincoln University and received her MFA from Vermont College of Fine Arts in April 2018. Since 2003, Angelique has worked with community members to use media as a tool to share their stories and promote the importance of media literacy. She recently finished her first short film RESPECT AND LOVE. She lives in Worcester, MA with her wife Isabel and 3 year old daughter Vivian.

 

 

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Featured Videos

https://www.youtube.com/watch?v=B4t_l5mu9lE

CUNNINGHAM, feature documentary, VCFA student Alla Kovgan

https://youtu.be/ywgLz0Jl8Dw

BEEHOLD, animated short, VCFA alumnx Paula Allen (and her students!)

https://www.youtube.com/watch?v=9i1zNqQz9Ug

SISTERS RISING, feature documentary, VCFA alumnx Brad Heck

https://vimeo.com/352402193?loop=0

LOUIE’S ANTIQUES, short, VCFA alumnx Melissa McClung


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