“Without a doubt one of the funnest and most entertaining documentaries in years” filmdienst.de
“Without a doubt one of the funnest and most entertaining documentaries in years” filmdienst.de
Award-winning filmmaker, and VCFA MFA in Film faculty member, Till Schauder has been traversing the globe with his film WHEN GOD SLEEPS. In addition to its bustling festival showing, we are excited to announce WHEN GOD SLEEPS will have its US broadcast television premiere on this season of Independent Lens on PBS on April 2, 2018, at 10:00 PM EST.
Additionally, be sure to have a listen to Schauder’s conversation with Art More Than Ever podcast host Erica Heilman where Schauder discusses the process of creating documentary films and how he handles working with challenging subjects.
“I’m very greedy as a filmmaker…I’m a hunter-gatherer. I know from experience that with this massive amounts of footage you get nuggets…that people think are too good to be true almost.”
About the film:
“ ‘My songs didn’t make me famous. The fatwa did.’ WHEN GOD SLEEPS unfolds against the backdrop of the 2015 Paris terrorist attacks in the Bataclan concert venue and European right-wing backlash against Middle-Eastern refugees. It deftly weaves the journey of exiled Iranian musician Shahin Najafi with historical context and intimate biographical detail, rooting the narrative in Najafi’s immediate and unavoidable reality, living under a fatwa issued against him by hardline Shiite clerics. As Najafi juggles a personal life and budding romance in Cologne, far from loved ones, with a professional career whose high profile may cost him his life, he spars with bandmates who are ambivalent about the peril his status places on their lives, and battles German police who refuse to see the death threat on his head as a legitimate danger. With camerawork that underlines the intimate aspect of this film, we bear witness to the life of an outspoken artist defying powerful men intent on silencing him.”
More about the filmmakers:
TILL SCHAUDER’s feature debut SANTA SMOKES which he wrote, co-directed and starred in, won several awards, among them Best Director at the Tokyo International Film Festival and the Studio Hamburg Newcomer Award. In 2012, Till completed his critically acclaimed first documentary THE IRAN JOB, which was released worldwide, mentioned as an Oscar contender and shortlisted for a German Academy Award in 2014. His latest documentary WHEN GOD SLEEPS premiered at the Tribeca Film Festival 2017 and is currently playing at film festivals around the world. WHEN GOD SLEEPS won the “Cinema for Peace Award” for Most Valuable Documentary of the Year during this year’s Berlinale, and the “Golden Heynal Award” in the International DocFilmMusic Competition at this year’s Krakow Film Festival. WHEN GOD SLEEPS opened theatrically in Germany and Japan in October. The U.S. theatrical release is scheduled for early 2018, followed by a nationwide broadcast on PBS/Independent Lens and a North American online release on Amazon. Till also recently completed WARRIORS OF FAITH, a feature documentary about Iraqi refugees in Germany combating ISIS through performance arts for which he just won a German Emmy. The film also won the “ARD Top of the Docs” Award and was a nominee for the Prix Europa. Till has a side career in acting. He appeared with Kate Winslet in the HBO Series “Mildred Pierce” and in Martin Scorsese’s HBO Series “Vinyl”. His production company, which he runs with his producing partner and wife Sara Nodjoumi, is based in Brooklyn.
SARA NODJOUMI is an independent film producer and film festival programmer. She and Till Schauder most recently collaborated on WHEN GOD SLEEPS, which is co-produced by ITVS, executive produced by Motto Pictures, Catapult Film Fund, and Fork Films, and supported by numerous foundations including the Sundance Institute, Jerome Foundation, and NYSCA. The film premiered in competition at the 2017 Tribeca Film Festival. It later went on to win the Golden Heynal award for Best Music Documentary at the Krakow Film Festival, as well as the Most Valuable Film of the Year award at Cinema for Peace in Berlin. Nodjoumi and Schauder are currently working on the feature documentary REGGAE BOYZ, which is in post-production. From 2004-2009, Nodjoumi worked at the Tribeca Film Festival as an Associate Programmer and is currently the Artistic Director of the New York Sephardic Film Festival. She also produced the feature documentary THE IRAN JOB, which was released theatrically and on Netflix worldwide. In Germany, the film was shortlisted for a German Academy Award. For THE IRAN JOB, Nodjoumi managed two of the most successful Kickstarter campaigns of all time. In 2016, she was invited to attend the Sundance Creative Producer’s Summit and in 2017 she was an IFP Cannes Producer’s Network Fellow.
Current VCFA MFA in Film student, George Nicholas’s short experimental documentary ANTIGONE, a twelve minute meditation on life, death, presence, religion, family, emptiness, and light centered upon the death of the filmmaker’s beloved Mother, has several scheduled screening this Spring (2018). Nicholas created this film while here at VCFA, and writes,
I spent the first two semesters working on an experimental documentary about my mother’s death from cancer in 2014. I had made brief overtures at starting the film before I arrived at VCFA, but I’m glad that I continued it while here, or I would have given up on it for the potential scale of it and the gut-wrenching emotional journey that met every editing session. With the good advisement of some truly wonderful faculty, and the keen insight of a fellow student… I was committed to finishing it, and it had its world premiere at the Cyprus International Film Festival in Paphos, Cyprus in June (2017), where it received the Nostimon Imar Award, an award given to the film that best embodies the sense of “nostimon imar,” from a passage in Homer’s Odyssey, loosely translated as “the day of the sweet return to one’s homeland,” a film for the Greek and Cypriot diaspora.
Horror Society writes of the film, 7 SPLINTERS IN TIME is an intricately constructed, visually arresting, graphically exotic and groundbreaking lo-fi sci-fi detective story that mashes up Phillip K. Dick and Raymond Chandler.
Congrats George, we are thrilled for you!
George Nicholas is an award-winning New York – based filmmaker and director of photography. He was born in Pittsburgh, Pennsylvania to first-generation Greek immigrants, picked up his father’s love for photography at age 7, and wrote and directed his first play at 11. He studied drama at the University of Texas, Arlington, moved to NYC in 1998, worked as a sound technician for Off-Broadway Theater and as a roadie, working with bands like the Rolling Stones, before moving a bit north to attend the Conservatory of Film at the State University of New York at Purchase, where he graduated with a BFA in Film Production. He has worked as a cinematographer professionally since 1992, and his work has been shown worldwide on air and in festivals. George has produced and directed music videos, including Elizabeth Cook’s “Sunday Morning,” which aired on VH-1, GAC, and CMT. His 2004 short film, “Exact Fare,” won the CINE Golden Eagle Award, and his most recent film, “Antigone” won the Nostimon Imar award (for films of the diaspora) at its premiere at the 2017 Cyprus International Film Festival. He is currently an Assistant Professor of Radio, Television, Film at Hofstra University in Hempstead, New York, and prior to that taught at and was the Technical Director of Film and New Media at Sarah Lawrence College in Bronxville, New York. He currently resides in Mamaroneck, New York with his wife, Marie, their son Peter, and two cats. He is a bassist and vocalist for the J.D. Southard Band and the upright bassist for The Quarter Moon. Nicholas will graduate from VCFA MFA in Film April 2018.
VCFA MFA in Film faculty member, Dan Schrecker, has been nominated with his team for a Visual Effects Society Award for his work as Visual Effects Supervisor on the Darren Aronofsky film MOTHER!. They are up for the award for Outstanding Supporting Visual Effects in a Photoreal Feature, along with fellow nominees from the films DARKEST HOUR, DOWNSIZING DUNKIRK, and ONLY THE BRAVE. The 16th annual VES award will take place February 13, 2018. The full list of nominees can be found here.
VCFA’s MFA in Film program screened MOTHER! here in Montpelier at our October 2017 residency. It was such a treat to have Dan here to talk with us about his work and the film.
To read more in detail about the VFX of MOTHER!, check out this great interview with Dan by vfxblog from September 2017 .
Dan Schrecker is an award winning visual effects artist and animator. He is the Creative Director and Visual Effects Supervisor at Look Effects, Inc., with offices in Los Angeles, New York, Vancouver, Canada and Stuttgart, Germany.
Dan earned his Master’s Degree from NYU’s Interactive Telecommunications Program and his BA in Visual and Environmental Studies with a focus on Animation from Harvard University. Dan was nominated for a BAFTA Award in 2011 for Best Special Effects for the film BLACK SWAN and for Visual Effects Society Awards for BLACK SWAN, THE WRESTLER, THE FOUNTAIN, and FRIDA. His work includes being Visual Effects Supervisor on WARM BODIES, MOONRISE KINGDOM, LIMITLESS, BLACK SWAN, PRECIOUS, THE FOUNTAIN, FRIDA, REQUIEM FOR A DREAM, and Darren Aronofsky’s MOTHER!. Through his career Dan has supervised and created visual effects, designed titles and motion graphics, adding to his expertise in multimedia and interactive formats, traditional cel animation and claymation.
The VCFA MFA in Film residency week is always an inspiring time for our students, and this past October was no exception. We were lucky enough to have the brilliant and affable Alan Berliner join us as a special guest. As is the usual format with our special guests, Alan gave a lecture in addition to a screening of his film with a q&a period following.
In his lecture, Alan shared wisdom about his filmmaking process, editing and what it means to be, as he says, “a collagist.” We viewed and discussed clips of his past work (WIDE AWAKE, EVERYWHERE AT ONCE), and got a special sneak peek of his newest (top secret, 40-years in the making!) project. Berliner provided candid and compelling insights into how he approaches his art and the creative process. Just a few pearls: trust the process, play, detour, and consider the “spectrum of revisions” by looking at things at the molecular level, in which he states, “I make molecules. Put them together. I’m making compounds…Everything has meaning.”
Below is an excerpt (teaser!) of his lecture for a small taste of what we were so fortunate to experience from his visit:
For those familiar with Alan’s work, specifically elements showcased in his film, WIDE AWAKE, you know about his copious collection of “subject matter” and the meticulous ways he catalogs all of these pieces he has gleaned from the world in his studio space in Manhattan. To get an idea the New York Times gives a brief description:
…Stacked on metal shelves that line two walls of the studio are hundreds of color-coded film cans and boxes. Red denotes black-and-white 16-millimeter footage; orange, sound; yellow, 16-millimeter color; blue, his family’s home movies; green, others’ home movies; violet, found photographs from around the world; gray, slides and transparencies. “It’s spectral, you see,” Mr. Berliner said.
Elsewhere along the shelves are subsections of emotional ephemera: discarded photo albums, love letters, suicide notes and journals, some found in flea markets, others in the trash. Cabinets are filled with wooden objects, pieces of carpet, flipbooks, toys, kaleidoscopes, zoetrope strips. Things for cutting. Things for pasting. Things for labeling. Things for measuring. A file cabinet is marked with the names of birds. Open a drawer, and the corresponding call rings out.
… Would he describe himself as obsessive? Pause. “Of course,” he said. “I’m not afraid of that word.”
It was fascinating to hear Alan discuss his “Living Laboratory” in detail while viewing his work, both in finished form and in rough cuts. Berliner is, above all things, an artist married to his “process, patience, and passion.”
For the screening Alan brought his film, FIRST COUSIN ONCE REMOVED. Trailer is below:
In a 2013 article in IndieWire, Berliner writes about viewing his films with audiences,
For me, watching my films along with the audience has always been a necessity — an intrinsic part of my understanding of what it means to be a filmmaker. For as long as I can remember, I’ve always seized the opportunity to be a fly on the wall inside the real-life laboratory for which my film was intended: a group of perfect strangers intimately gathered in a dark room to watch something I’ve just spent years of my life putting together.
…I’ve always believed that finishing a film is just “the beginning” of the end of my filmmaking process. I say “the beginning of the end,” because this new (and exciting) phase in the life of the film initiates a critically important part of my creative process — the chance to observe audience response as a way of gleaning insights both about my film and about filmmaking; things I’ll take with me when it’s time to make the next one.
About his film, FIRST COUSIN ONCE REMOVED, Berliner tells Documentary Magazine,
“The other thing about the film,” Berliner explains, “is that you start out doing one thing, and then because it’s just part of life and it’s just the way the mind works, you end up going to some other place and doing something else, or realizing something else, or getting insights that take you to other places. I made a film about the memory loss of a man who had a lot that he both needed and wanted to forget. At the end I say, ‘You are in a film, and millions of people are watching and you can say anything you want.’ And what does he say? ‘Remember how to forget.’ And in context, what he’s saying is what is true in life: If we couldn’t forget, we would all go insane. So forgetting is a very, very powerful force in both sanity, and in keeping the world in perspective.
Visit Alan at his website to learn more!
The New York Times has described Berliner’s work as “powerful, compelling and bittersweet… full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures… Alan Berliner illustrates the power of fine art to transform life.”
Alan Berliner’s uncanny ability to combine experimental cinema, artistic purpose, and popular appeal in compelling film essays has made him one of America’s most acclaimed independent filmmakers. Berliner’s films, FIRST COUSIN ONCE REMOVED (2013), WIDE AWAKE (2006), THE SWEETEST SOUND (2001), NOBODY’S BUSINESS (1996), INTIMATE STRANGER (1991), and THE FAMILY ALBUM (1986), have been broadcast all over the world, and received awards, prizes, and retrospectives at many major international film festivals. Over the years, his films have become part of the core curriculum for documentary filmmaking and film history classes at universities worldwide. All of his films are in the permanent collection of the Museum of Modern Art.
In 2006, the International Documentary Association honored Berliner with an International Trailblazer Award “for creativity, innovation, originality, and breakthrough in the field of documentary cinema.” Berliner is a recipient of Rockefeller, Guggenheim, and Jerome Foundation Fellowships and multiple grants from the NEA, NYSCA, and NYFA. He’s won three Emmy Awards and received seven Emmy nominations.
Or, as Alan might prefer:
Alan Berliner spends every day alone in a room with his stuff, trying to tell stories.
Congratulations to VCFA’s own Ken Raimondi for his nominiation to the 2017 Top Outstanding Young Americans Program! Part of Ken’s nomination package included the work he did here in the film program at VCFA.
The Top Outstanding Young Americans program (TOYA) is one of the oldest and most prestigious recognition programs in America. Annually since 1938, JCI USA has sought out young men and women (under the age of 40) who best exemplify the finest attributes of America’s youthful achievers.
Every year, JCI USA recognizes the accomplishments of ten individuals who are truly outstanding, and 2017 is no different. Through an intense judging process, these ten individuals being honored as recipients of the JCI USA Top Outstanding Young American recognition are truly accomplished in their fields, in giving back to their communities. These ten individuals represent the best of the best and individuals we should strive to emulate in our everyday actions. Each Honoree has shown a commitment to that hope, reminding all Americans that no problem is too difficult when handled with grace, ingenuity, courage, and determination.
The JCI USA Class of 2017 Top Outstanding Young Americans Honorees include:
Caitlin Crommett, 23, Speaker/Trainer, CEO, DreamCatchers Foundation, North Hollywood, CA
Jane Cummins, 40, Founder/CEO, The HEART Program, Houston, TX
Chinh Doan, 27, News Anchor/Reporter, KETV, Omaha, NE
Senior Master Sgt Benjamin S. Garrison, 37, United States Air Force, Germany
Earl Granville, 34, Staff Sergeant US Army (Ret.) and Public Speaker, Scott Township, PA
Maggie Henjum, 31, Owner/Founder of Motion, St. Louis Park, MN
Sam Kuhnert, 25, Co-Founder, NubAbility Athletics, Tamaroa, IL
Kenneth Raimondi, 36, Producer/Director, Schertz, TX
Christopher Ulmer, 28, Founder, Special Books by Special Kids, Neptune Beach, FL
Senator Tony Vargas, 32, Nebraska Legislature – District 7, Omaha, NE