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Filmwax Radio Interview Series: VCFA Alumnx Jason Rosenfield

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VCFA is proud to be partnering with Filmwax Radio for a special series of interviews featuring VCFA alumni. The third installment of the series is with editor Jason Rosenfield ACE (’18) whose projects include, among many, the documentaries LOST FOR LIFE (2013), SWIFT CURRENT (2016), and BREAKING POINT: THE WAR FOR DEMOCRACY IN UKRAINE (2017), as well as the Amazon docuseries LORENA (2019). In the interview Jason also discusses his VCFA thesis project, Everything Matters, a memoir about editing and his journey over the decades in the profession. [Jason’s rich and captivating memoir will–without a doubt!–be published sometime in the near future with broad appeal for filmmakers and general readers alike. Stay tuned for more news on that front!]

Be sure to have a listen–enjoy!

The podcast is also available on iTunes, Stitcher, Spotify, Google Play & Youtube.

 

 

You are writing the final draft, in essence. It all happens in the editing room… It is a huge responsibility and you have to honor that responsibility.
-Jason Rosenfield, on editing

What I am talking about is making an experiential film, as opposed to an informational film. The goal is to have the audience go on a journey with the characters… not relaying information, but reliving an experience… I learned how to speak body language, and if I knew how to speak it, I knew how to read it…
-Jason Rosenfield, on character driven documentaries

 

 

Jason Rosenfield, ACE, is a three-time Emmy Award-winning film editor recognized for his storytelling and stylistic skills in character-driven long-form documentaries, feature films, and television series. Jason’s narrative credits range from Robert Altman’s classic COME BACK TO THE 5 & DIME JIMMY DEAN, JIMMY DEAN to the improvisational television comedy FREE RIDE.  His documentary credits include the Oscar-nominated BLUES HIGHWAY, HBO’s Emmy-winning Memphis PD and Teen Killers, Dick Wolf’s groundbreaking NBC series Law & Order: Crime & Punishment and CNN’s The Seventies.  He has collaborated with three-time Oscar-winner Mark Jonathan Harris on Netflix’s award-winning LOST FOR LIFE and SWIFT CURRENT, both directed by Joshua Rofe, and Harris’s own BREAKING POINT: THE WAR FOR DEMOCRACY IN UKRAINE. Additional production awards have included an RF Kennedy Award, DGA Award and Peabody Award, as well as three Emmy Awards and multiple nominations.

In 2001, Jason was elected to membership in American Cinema Editors [ACE], an honorary society of distinguished editors.  He has served as Associate Director of the ACE Board and three terms as Governor of the Television Academy, where he has developed and produced a number of symposiums and ongoing panel series. A Professor at USC’s School of Cinematic Arts Masters Program as well as Columbia College – Hollywood, Jason is a Mentor at the Stowe (Vt.) Story Labs Screenwriting Workshop and serves as story and editorial consultant for independent films.Adidas footwear | 『アディダス』に分類された記事一覧

Ian Cheney’s (’18) films, THIRTEEN WAYS and PICTURE CHARACTER, premiere

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Alumnus Ian Cheney’s (’18) thesis documentary, THIRTEEN WAYS, will screen at the DC Environmental Film Festival on Thursday, Mar 21, 2019.

A series of scientists (and, for good measure, a few nonscientists) travel to a plot of Maine land they have never seen before. One-by-one, through all four seasons, they walk the land and describe what they see. What unfolds is an unusual meditation upon the human relationship to the natural world and the power of different ways of seeing.


PICTURE CHARACTER, directed by Cheney and Martha Shane, will premiere at the Tribeca Film Festival in NYC on Sunday, April 28, 2019.

Emojis (Japanese for “picture character”) have emerged as a way for billions to communicate. Their widespread use and ability to convey complex and subtle feelings could mean the world is on the cusp of discovering a new language. Directors Martha Shane and Ian Cheney take us deep into the world of picture characters, from the private non-profit international consortium that standardized emoji offerings and decides on the introduction of new ones, to the campaigns for new emojis such as those depicting menstruation and Argentinian mate, and to the very beginnings of emojis in Japan. 

Picture Character follows the path of smiling poops and heart-eyed faces, tackles the development of skin tones, and tracks the evolution of the global digital language. Like a good use of a chin scratching emoji, the documentary is both thought-provoking and fun, and it will insure that viewers never look at another emoji, or think of language itself, the same way again.  (Sudeep Sharma)

Be sure to check out the full lineup of 2019 Tribeca Festival films.

We expect to see both of these films have a busy festival year–stay tuned!Adidas footwear | Air Jordan

Festival Roundup: Alumnus John Bruner’s (’17) thesis short, GROUNDED

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Alumnus John Bruner‘s (’17) thesis film GROUNDED has had tremendous festival success this past year screening at: Woods Hole Film Festival, Maryland International Film Festival, Austin Indie Fest, Canada Shorts, Short and Sweet Film Festival, Great Lakes Shorts Festival, Independent Shorts Awards, as well as at the UFVA (University Film and Video Association) Conference.

GROUNDED will next be screened this April (2019) at the Ft. Myers Beach International Film Festival.

 

James is a pilot trying to move into management. He might miss his big chance because he has to take his aging and very proper mother home after her extended visit. As James struggles to get back on course, his mother runs out of time to reveal a secret that could be what finally slows James down.

​The film is semi-autobiographical, recounting road trips the director took with his own mother more than a decade ago. It’s a story about some universal truths: how we sometimes put careers in front of people, how fears can block our enjoyment of life, and how we all crave a closeness within our families that’s sometimes hard to achieve.

 

 

 

 

More about John: John Bruner teaches film and media production at Taylor University. John has worked in film and broadcast/corporate television as an executive producer, director, writer, camera operator, editor and engineer. He envisioned and co-founded Taylor’s Los Angeles semester, preparing students to work in the entertainment industry. His career has taken him as far as Russia and Australia, from documentary and narrative filmmaking to television coverage of live concerts, political events, and sports.

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Alumni Spotlight: Angelique Webster’s (’18) short doc RESPECT AND LOVE

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Angelique Webster’s thesis short doc RESPECT AND LOVE is on fire! In addition to past screenings we highlighted last fall, here is a round up of upcoming film festival showings, with no doubt more on the way! (Keep on eye out on RESPECT AND LOVE’s official facebook page to keep apprised of all of the details.)

March 2019 Events:

Women in Media Film Festival– Newark, New Jersey

Rapid Lion Film Festival– Johannesburg, South Africa

POW ( Portland Oregon Women’s) Film Festival– Portland, Oregon

Universe Multicultural Film Festival -Rancho Palos Verdes, CA

2019 New England Graduate Media Symposium– Boston, MA

April 2019 (and beyond) Events:

American Doc Film Festival–  April 2019 Palm Springs, CA

Langston Hughes Film Festival– April 2019 Seattle Washington

Creatively Speaking Double Exposure Film Series– Maysles Documentary Center June 2019  Harlem, NY

It has been said that Gloria was the first African-American woman to sue the Catholic Church. RESPECT AND LOVE is a short experimental documentary, in which the filmmaker sits down with her mother 30 years later to gain insight on how those experiences have shaped her mother’s life.

 

 

We recently caught up with Angelique and asked her a few questions, here is what she had to say:

RESPECT AND LOVE is a deeply personal story for you and your family, in what ways did the concept change or evolve from the start of the project through its completion?

I think the major change to my film was adding my voice. My plan was to use my mother’s interview to tell the story. As I was going through the footage I realize that strong transitions were missing. Along with the need for smooth transitions, I decided to juxtapose my thoughts along side of my mother’s. The two storylines made the film fuller and much more three dimensional.

What is the most valuable piece of advise, feedback, or inspiration you received here at VCFA as an MFA in Film student?

The most valuable feedback I received while at VCFA was to go out on a limb and try something different. I never imagined that I would write a script, but I did. I was nervous and not very confident… but had really great support and feedback. It actually felt good to write. With the next film I am working on, I have started with writing. The writing allows me to see themes and ideas that may be useful with making a stronger piece.

Where do you see yourself and your work in the next 3 years?

In the next 3 years I see myself teaching, making films, and creating a community space for inter-generational filmmaking projects.

Angelique Webster is a filmmaker and educator. She  is a graduate from Lincoln University and received her MFA from Vermont College of Fine Arts in April 2018. Since 2003, Angelique has worked with community members to use media as a tool to share their stories and promote the importance of media literacy. She recently finished her first short film RESPECT AND LOVE. She lives in Worcester, MA with her wife Isabel and 3 year old daughter Vivian.

 

 

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Alumnus Jay Koski’s (’16) THE PEPIE LEGEND’s latest festival showing, plus short doc BAIT SHOP screens

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Alumnus Stewart Jay Koski’s thesis documentary, THE PEPIE LEGEND, will screen at at the Wildwood Film Festival  March 22nd-23rd, 2019. This will be the third festival showing for THE PEPIE LEGEND, with more to come!

About the film:Full-time folklorist and book author Chad Lewis reveals a 150-year-old legend that continues to resurface in modern day. In an attempt to solve the puzzle of this long-sought legend a $50,000 reward has been offered for indisputable proof of this Midwest lake monster. Filmed entirely on location.

Additionally, Koski’s short doc, BAIT SHOP, which he also created while here at VCFA, is an official selection to the Speechless Film Festival March 29th-30th, 2019. Films selected for this festival celebrate the art of visual storytelling with little to no dialogue.buy footwear | 2021 New adidas YEEZY BOOST 350 V2 “Ash Stone” GW0089 , Ietp

Alumna Kathy Bruner’s (’17) feature length documentary, LAST YEAR AT THE CROSSING, screening at the Big Sky Documentary Film Festival

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Alumna Kathy Bruner’s (’17) thesis feature length documentary LAST YEAR AT THE CROSSING will be screening at the Big Sky Documentary Film Festival in Missoula, MT on February 16th, 2019.

About the film: A heartbreaking, raw and ultimately hopeful story of four teens trying to earn a diploma at a last-chance high school in Indiana. Their struggle against hopelessness, drug culture, failed family structures and poverty is met by a dedicated school administrator who tries to help them rise above their circumstances.Best Authentic Sneakers | Nike Air Max 270

Alumna Angelique Webster’s (’18) thesis film, RESPECT AND LOVE, to screen at the Smithsonian African American Film Festival

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VCFA MFA in Film alumna Angelique Webster’s (’18) thesis documentary short, RESPECT AND LOVE, will be screening at the Smithsonian African American Film Festival at the National Museum of African American History & Culture in Washington D.C. on Friday, October 26th!

Through a frank conversation about past sexual abuse by a priest, a mother and daughter get to know each other and re-imagine their relationship.

Angelique screened this beautiful film at her graduating residency last April. We were so lucky to not only get to see it but to get to meet her incredible mom and adorable daughter too! We are thrilled this film is reaching a larger audience and can’t wait to see where it lands next!

Angelique Webster is a filmmaker and educator who graduated from Lincoln University in 1996 and received her MFA from Vermont College of Fine Arts in 2018.Running sport media | Nike

Alumnus Daniel McGuire’s (’17) thesis doc, BALIAN (THE HEALER), premieres

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Daniel McGuire’s (’17) thesis film, a feature documentary, BALIAN (THE HEALER),  premiered at the Middlebury New Filmmakers Festival in August 2018. The film will be going on to screen at the Newburyport Documentary Film Festival (September 2018), the Santa Cruz Film Festival (October 2018), and Filmfest 52 in Bethel, CT (TBD), with more festival showings to come. We are so excited to see this film out in the world!

A visually provocative film shot over 20 years, BALIAN (THE HEALER) is an engrossing fable of globalization. It tracks the remarkable rise and fall of a Balinese healer and priest after he is discovered by Western tourists.

 

 

“A magical portrait of a one-of-a-kind Indonesian trickster/healer.”

-Alan Berliner (Nobody’s Business, Wide Awake, The Sweetest Sound)

Check out the trailer below:

Daniel McGuire is a filmmaker with two decades of experience in feature films, documentary, electronic press kits, web-based media, multi-camera event shoots, ethnographic, industrial and training films. He is based in the Boston area where he has covered stories for Good Morning America and Inside Edition as a Field Producer, and for Al Jazeera English as a Correspondent. He frequently covers stories related to Health, Science, Technology and the environment at Harvard and MIT.

McGuire has worked as a correspondent for ABC News in Indonesia, where he covered politics and environmental issues. Fluent in Indonesian, he directed and produced the feature documentary “Crash Course: The Indonesian Student Revolt” (selected for the Rotterdam Film Festival). BALIAN (THE HEALER), premiered in August 2018. He has taught film and video production at the University of Northern Illinois and teaches seminars in video production for journalists. McGuire holds a BA from Wesleyan University, an MA from Northern Illinois University, and an MFA from the Vermont College of Fine Arts.

Be sure to follow the film on Facebook.

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Kathy Bruner (’17) and John Bruner (’17) each have their thesis films screening at the UFVA Conference

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We are so excited to announce that two more alumni are also screening their VCFA thesis films at the UFVA (University Film and Video Association) Conference July 23rd-26th, 2018 in New Mexico! Power-couple Kathy and John Bruner, both teach at Taylor University and both received their MFA’s at Vermont College of Fine Arts in 2017.

Kathy Bruner’s feature documentary LAST YEAR AT THE CROSSING tells the story of four at-risk teens struggling at a last chance high school in Indiana, and their dedicated school administrator who holds out hope that they can succeed.

In John Bruner’s short GROUNDED, a career-focused pilot and his very proper mother embark on what may be their last road trip.

Additionally,  Jochen Kunstler (’16)  is serving on the Conference Planning Committee as Screenings Co-Chair.

We are thrilled to have such a strong VCFA presence at UFVA!Nike Sneakers Store | Nike Off-White

Alumnus James Curry’s (’17) documentary MASTERJAM screens at the UFVA Conference

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Alumnus James Curry‘s thesis documentary project, MASTERJAM, will screen at the UFVA (University Film and Video Association) Conference July 24th, 2018 in New Mexico.

$h!tstorm. snafu. fubar. clusterfu ©k. masterjam. The fallout of a sibling’s suicide on a family, the accelerated deaths of the parents and the investigation into the root cause.

Check out an excerpt of the film below:

Congrats James! It’s so exciting to see this film making the festival rounds!

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